The design of a church appears to us as the ideal pursuit for a symbolic, mystical, and expressive dimension. As history has taught us, the alliance between art and religion provides unique, magical, and exalting moments for humanity, enriching life, mind, and soul.

The church, a tangible construction, a human representation of the Divine, plays a crucial role in the development of sensitivity. For believers and non-believers alike, it should be considered a living symbol, conveying a transcendent meaning that encourages us to look beyond what we see, urging us to pause and feel.

The initial sensations and ideas emerged during the first visit to the site. The lines and forms refined themselves, supported by symbols that seemed important, expressive, and fitting for our intentions. The curved line asserted itself from the beginning, both as a gesture and as a form associated with hospitality and protection.